one bright red strawberry on the strawberry plant
mist still low, tangled in the branches of olive trees
the way the pomegranates hang low
with the burden of their own weight
essays | fiction | poetry | photography | art
one bright red strawberry on the strawberry plant
mist still low, tangled in the branches of olive trees
the way the pomegranates hang low
with the burden of their own weight
Reuniting with translator Polly Barton, Matsuda revisits similar themes in this new collection; across fifty-two stories, she tackles the pervasive misogyny faced by women in contemporary Japan and beyond.
The past peels me off like red pared down to
parent rock (think barn, cadaver, three-wheeled
wagon upended in the bee garden).
My hand slips—crushed pepper
fills the pot, the water is boiling
not simmering as you said, you said
I needed to be careful, but look now
That albino slug
looks like mobile marzipan,
bending its neck for a nap
in the stitchwort
tufted beside the road.
If you walk along a path
between forest and shore
between grains eroded by the sea
they were mountains once
Am I livestock or the boning knife?
Amongst the timid lambs, half-dreaming
They say a lot of the work of being poly is scheduling. When I say ‘they’ I mean smug influencers with poorly produced podcasts, and when I say ‘being poly’ I hate myself.
I know it’s over when I picture the train carriage
it’s an old-fashioned carriage with burgundy velvet seats
a little room in my memory.
For the good of the country we claimed their land & property. It was necessary for the people.
In the southern heat,
giddiness spread in a slick of sweat.
A stale and sweet smell embraced the girls
as they danced and danced
and would not stop dancing.
They rose up overnight
like a hallucination—
misshapen, pock-marked, deformed
littering the lawn in the dozens.