Milly Morris likes Foucault and feminism. She is currently chasing a PhD in political science at the University of Birmingham. She is a runner, as well as a lover of chickpeas and Game of Thrones. This essay was originally published on her website during the 2017 season of Love Island. Featured image: Clem Onojeghuo at Unsplash A foreword…
Category: Drama
SHORT STORY – Anita Goveas
Anita Goveas is British-Asian, based in London, and is fueled by strong coffee and paneer jalfrezi. She was first published in the 2016 London Short Story Prize anthology, and most recently in former cactus, Litro, New Flash Fiction Review, Porridge, and Longleaf Review. She tweets erratically @coffeeandpaneer Image: James Pond on Unsplash Recursion Adhira watched the dog chase itself again….
An exploration of the objectification of the female body in performance and its presentation in relation to existing social structures – Katie Paterson
Katie Paterson is a final year Drama and Theatre Arts student at the University of Birmingham. She has frequently pondered the relationship between performance and performer, through essays and practice. Her interests include acting, directing and arguing about Shakespeare, all the while trying to politely smash the patriarchy. An exploration of the objectification of the…
‘Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth’ – Jess Ennis
Jess Ennis is a graduate from UoB, interested in film, journalism and publishing. She currently writes for VultureHound and tmrw magazines. ‘Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth’: Representations of authenticity in pharmaceutical and neural enhancement narratives. In ‘The Critic as…
Shite, skin and skulls: Irvine Welsh’s Trainspotting and the body – Emily Muscat
Emily Muscat is an English with Creative Writing graduate from the University of Birmingham. As well as essays about poop, she also writes poetry and a Birmingham based food blog. Emily now works at UoB on the Graduate Management Training Scheme, where she plans to continue her career in Higher Education. Shite, skin and skulls:…
Interdisciplinarity: A Brief Introduction – Dr Matt Hayler
Dr Matt Hayler is a lecturer in post-1945 Literature in the Department of English Literature at the University of Birmingham. His research interests focus on e-reading, materially experimental writing, digital humanities, critical theory, technology, and embodiment. He can be found on twitter @cryurchin. Interdisciplinarity: A Brief Introduction Interdisciplinarity is a long word for a good thing….
‘The clankless chain hath bound thee’: An exploration of metaphysical paradox and internal opposition in Lord Byron’s Manfred, A Dramatic Poem – Sadia Pineda Hameed
Sadia Pineda Hameed is a third year English Literature student at Cardiff University whose interests include Existentialism and exploring subjectivity in film and literature. Gustave Doré, Manfred and the Chamois Hunter, 1853 ‘The clankless chain hath bound thee’: An exploration of metaphysical paradox and internal opposition in Lord Byron’s Manfred, A Dramatic Poem Much of Lord…
An exploration of camp aesthetics in Thomas Middleton’s The Revenger’s Tragedy and Alex Cox’s 2002 film adaptation, Revengers Tragedy – Georgia Tindale
Georgia Tindale is an Assistant Editor working in Amsterdam and recently graduated with an MPhil in Renaissance literature from Cambridge. Prior to Cambridge, she studied English with Creative Writing at the University of Birmingham where she founded Porridge in her final year. She is interested in a wide range of subjects including poetry, science writing, health…
A discussion of time and the tragicomic experience in the works of Anton Chekhov and Samuel Beckett – Amelie Marron
Amelie Marron is a second year Drama and Theatre Arts student from the University of Birmingham whose interests include travelling, reading, films, theatre and pretty much anything art and culture related. She also runs her own personal blog (http://ameliemarron.blogspot.co.uk/) Image from Waiting for Godot, Guildburys Theatre Company, at The Electric Theatre, Guildford. April 2016. Credit: Mike…
A discussion of Neo-Victorianism in literary studies and as a new genre in contemporary performance – Kathryn Shaw
Kathryn Shaw studied Drama and Classical Literature and Civilization at the University of Birmingham, and is currently following a masters programme at KU Leuven university in Belgium. She is writing her thesis on Brussels’ Toone marionette theatre, and has an interest in popular performance. Emilie Autumn, credit: fanpop.com A discussion of Neo-Victorianism in…