one bright red strawberry on the strawberry plant
mist still low, tangled in the branches of olive trees
the way the pomegranates hang low
with the burden of their own weight
essays | fiction | poetry | photography | art
one bright red strawberry on the strawberry plant
mist still low, tangled in the branches of olive trees
the way the pomegranates hang low
with the burden of their own weight
Faces are remembered, words spoken; that brief encounter at the fair, the smell of old sunlight, a slow night train.
You’ve probably never noticed them. Their red and white box usually sits well below their thick-cut, smoked, and maple-flavored cousins in their clear ‘look at me!’ packaging. Or, sometimes, Ends and Pieces aren’t displayed at all, and you have to ask the butcher for them. Because mind you, they are the ends and pieces, the leftovers, the scraps. Who would want them?
My mom, that’s who.
How she longs for the asteroid to come, to show them how little they controlled anything.
Reuniting with translator Polly Barton, Matsuda revisits similar themes in this new collection; across fifty-two stories, she tackles the pervasive misogyny faced by women in contemporary Japan and beyond.
Desire could drain a reservoir. Fear could empty a playground. And someone like her would be left to label the files.
The past peels me off like red pared down to
parent rock (think barn, cadaver, three-wheeled
wagon upended in the bee garden).
My hand slips—crushed pepper
fills the pot, the water is boiling
not simmering as you said, you said
I needed to be careful, but look now
“We are prompted to savour each word, carefully probing between our teeth to discover new morsels of meaning.”
That albino slug
looks like mobile marzipan,
bending its neck for a nap
in the stitchwort
tufted beside the road.
You slid the nit comb through my hair
then rinsed and laughed about how
you loved hunting them down
legs floating, brush of seaweed
bulging water moves us
up and down
the shore seems very far away