Robert Boucheron grew up in Syracuse and Schenectady, NY. He has worked as an architect in New York City and Charlottesville, VA. His short stories and essays appear in Bangalore Review, Fiction International, The Fiction Pool, Litro, London Journal of Fiction, New Haven Review, Short Fiction. The Church on the Hill A bell tolls the hours. It carries…
Tag: Drama
The use of machines in Arthur Miller’s ‘Death of a Salesman’ – Dong Liu
Dong Liu is a postgraduate in British and American Literature from Beihang University in Beijing. She is interested in fiction, psychology and cross-cultural communication. The use of machines in Arthur Miller’s ‘Death of a Salesman’ In Death of a Salesman, the most successful of Arthur Miller’s plays, Miller insightfully foresees the negative effects that the…
An exploration of the objectification of the female body in performance and its presentation in relation to existing social structures – Katie Paterson
Katie Paterson is a final year Drama and Theatre Arts student at the University of Birmingham. She has frequently pondered the relationship between performance and performer, through essays and practice. Her interests include acting, directing and arguing about Shakespeare, all the while trying to politely smash the patriarchy. An exploration of the objectification of the…
Derek Walcott, humour, and the postcolonial epic – Georgia Tindale
Georgia Tindale is currently studying for an MPhil in Renaissance Literature at Cambridge, having completed her undergraduate degree in English with Creative Writing at the University of Birmingham. She also edits Porridge alongside Nora and Kitty. Derek Walcott (23 January 1930- 17 March 2017) was a Saint Lucian poet and playwright who received the Nobel Prize…
‘Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth’ – Jess Ennis
Jess Ennis is a graduate from UoB, interested in film, journalism and publishing. She currently writes for VultureHound and tmrw magazines. ‘Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth’: Representations of authenticity in pharmaceutical and neural enhancement narratives. In ‘The Critic as…
‘The clankless chain hath bound thee’: An exploration of metaphysical paradox and internal opposition in Lord Byron’s Manfred, A Dramatic Poem – Sadia Pineda Hameed
Sadia Pineda Hameed is a third year English Literature student at Cardiff University whose interests include Existentialism and exploring subjectivity in film and literature. Gustave Doré, Manfred and the Chamois Hunter, 1853 ‘The clankless chain hath bound thee’: An exploration of metaphysical paradox and internal opposition in Lord Byron’s Manfred, A Dramatic Poem Much of Lord…
A discussion of time and the tragicomic experience in the works of Anton Chekhov and Samuel Beckett – Amelie Marron
Amelie Marron is a second year Drama and Theatre Arts student from the University of Birmingham whose interests include travelling, reading, films, theatre and pretty much anything art and culture related. She also runs her own personal blog (http://ameliemarron.blogspot.co.uk/) Image from Waiting for Godot, Guildburys Theatre Company, at The Electric Theatre, Guildford. April 2016. Credit: Mike…
A discussion of Neo-Victorianism in literary studies and as a new genre in contemporary performance – Kathryn Shaw
Kathryn Shaw studied Drama and Classical Literature and Civilization at the University of Birmingham, and is currently following a masters programme at KU Leuven university in Belgium. She is writing her thesis on Brussels’ Toone marionette theatre, and has an interest in popular performance. Emilie Autumn, credit: fanpop.com A discussion of Neo-Victorianism in…
Porridge 