Image via Emma Persky on flickr. Amelia Horgan is a writer and activist from London currently studying for a PhD in philosophy. Towards a working definition of sexual consent “It’s really great that we’re having conversations about consent now. But let’s not forget that the culture we live in is inherently coercive and non-consensual.” — ‘Fucked’ zine…
Tag: feminism
Who’s Not Happy?
Time And Relative Dimension In Sexism
An exploration of the objectification of the female body in performance and its presentation in relation to existing social structures – Katie Paterson
Katie Paterson is a final year Drama and Theatre Arts student at the University of Birmingham. She has frequently pondered the relationship between performance and performer, through essays and practice. Her interests include acting, directing and arguing about Shakespeare, all the while trying to politely smash the patriarchy. An exploration of the objectification of the…
For all women, or for no women: power and feminism’s broken relationship with consumer capitalism – Milly Morris
Milly Morris likes Foucault and feminism. She is currently chasing a PhD in political science at the University of Birmingham. She is a runner, as well as a lover of chickpeas and Game of Thrones. Featured image credit: James McNellis via Wikipedia For all women, or for no women: power and feminism’s broken relationship with consumer…
What is a Wolf? A text on the relationship between writing and animals – Fergus Doyle
Fergus Doyle is currently studying a masters in Literature and Modernity at the University of Edinburgh. He is interested in subjects prefixed by ‘post’, such as postmodernism, post-humanism and post-truth. What is a Wolf? A text on the relationship between writing and animals It is on long winter nights such as these, when the…
Does medicine shape gender or do gender ideals shape medicine? – Rachel Snow
Rachel Snow is a medical student who spent her pre-clinical years at Cambridge University and studied Psychology with Sociology during her third year there. She is now studying hospital-based medicine at Imperial College in London. Rachel has a particular interest in considering gender and how society, with medicine as a subset of society, shapes and…
The Good, the Bad, and the Evil: Repairing Our World & Reconciling with Our Limits – Scott Remer
Scott Remer is an MPhil student in Political Thought & Intellectual History at the University of Cambridge. As an undergrad, he studied Ethics, Politics, & Economics at Yale University. His interests include political theory and contemporary politics, epistemology, metaphysics, psychology, literature, and Chinese philosophy. The Good, the Bad, and the Evil: Repairing Our World &…
Interdisciplinarity: A Brief Introduction – Dr Matt Hayler
Dr Matt Hayler is a lecturer in post-1945 Literature in the Department of English Literature at the University of Birmingham. His research interests focus on e-reading, materially experimental writing, digital humanities, critical theory, technology, and embodiment. He can be found on twitter @cryurchin. Interdisciplinarity: A Brief Introduction Interdisciplinarity is a long word for a good thing….
‘By day and night he wrongs me…I’ll not endure it’: The Gender Politics of Rewriting King Lear – Nora Selmani
Nora Selmani is a final year English and Creative Writing student at the University of Birmingham. Her interests include diasporic literature, feminist readings of everything, and poetry. Kaede and Jiro in Kurosawa’s Ran. ‘By day and night he wrongs me…I’ll not endure it’: The Gender Politics of Rewriting King Lear The tragedy of King…
Exploring the relationship between form, media and content in narratives of digital culture – Bobbie-Ann Jones
Bobbie-Ann Jones is a third year English Literature with Creative Writing student at the University of Birmingham. She has a special interest in works surrounding digital culture and science, and wishes that the gulf between the humanities and the sciences were not so wide. She is a student playwright and stand-up comic, and she wishes…
Porridge 