I dreamt one night about a bright-eyed young woman with dark hair who accused me of being unfaithful to her. Her accusations were apparently true, which troubled me deeply after I awoke. I had never been unfaithful to anyone but had myself suffered the pain of betrayal once or twice when I was young. I…
Category: 19th century
COMFORT FOODS // Dissecting the Heart of Mandu – J.A. Pak
Dissecting the Heart of Mandu The Chinese, Mongolians, Japanese, and now the Americans and Europeans are in my food, but are the Turkic nomads there as well? Intriguing and exciting. A mandu (만두) is a Korean dumpling. A savory dumpling with a filling of meat. It’s usually boiled but it can also be steamed, pan-fried,…
A Corpus Stylistics Study of the Biased Narrative Voice in Jane Eyre – Yifan Zhai
Yifan Zhai is a young critic from Beijing. She is currently pursuing an MA in English Literature in Beihang University, China. She used to be in an exchange program to the St.Mary’s University of Texas, USA, where she developed an interest in studying and criticizing literature. Her focus is reading the classics with new…
An interview with Wanda Deglane
Wanda Deglane is a psychology/family & human development student at Arizona State University whose poetry has been published or is forthcoming on Dodging the Rain, Rust + Moth, Anti-Heroin Chic, and elsewhere. Earlier this year, Wanda self-published her first book of poetry, Rainlily. Here, we find out more about Wanda’s journey into self-publishing and dig into the…
The Haunted Present: Using the Past as an Emotional Context – Kat Hausler
Photo by Daniel Wander on Pexels Kat Hausler is a graduate of New York University and Fairleigh Dickinson University, where she was the recipient of a Baumeister Fellowship. Her debut novel Retrograde was recently published by Meerkat Press. She writes and translates in Berlin. The Haunted Present: Using the Past as an Emotional Context In James…
Witchcraft and the supernatural in the work of Thomas Hardy – Georgia Tindale
Hardy himself describes this fictionalised Wessex as ‘a partly real, partly dream-country’ in his preface to Far from the Madding Crowd. It is this combination of the ‘partly real’ and the ‘partly dream’ which connects Hardy’s supernatural to his Victorian society.
Porridge 