In boxes of old photographs, you sometimes come across nightclub pictures from the 1950s and 1960s. These images sit at the boundary between the public and private, the posed portrait and the casual snapshot. They were taken by ‘snappers’ who worked in the nightclubs, taking pictures of couples and groups of adults enjoying themselves which…
Tag: 2022
A Love Letter To Twitter – Danny Bate
At time of writing, the infamous bird app, Twitter, is going through a rough patch. For those of you who are enviably unaware, the platform recently gained a new owner, whose grand designs for his acquisition are still being revealed to everyone, apparently even to the man himself. The site currently has an ‘end of…
Anti-Concretism and Architectural Atheism: In Defence of Brutalism – Tom Jones
The pro- and anti-Brutalist building camps can be defined in two words apiece. There are those who believe such buildings are ‘concrete poetry’, and there are those who believe that each one is a ‘concrete monstrosity’. Like the battlefields of WW1, there is nothing living in between. Brutalism’s tenure at the forefront of architecture was…
Favorite Recipes – Ann Levin
I can still see her today. Tall, blond, and statuesque, a platinum-haired goddess with perfect teeth and a year-round tan. She was standing in the middle of the dance floor at my parents’ annual Christmas party – except it wasn’t really a dance floor. It was the dining room of our house, but with all…
Metaphor, Make-believe and Misleading Information in Truman Capote’s In Cold Blood – Charley Barnes
‘Imagination, of course, can open any door – turn the key and let terror walk right in.’ (84) In definition of genre, Truman Capote’s In Cold Blood (1966) has a wingspan that ranges fiction, nonfiction, and the ambiguous nonfiction novel. In definition of content, it is both a book with ‘dramatic power’ that warrants ‘honorary…
Radio Music Magic – Paul Sasges
Turn it up, turn it up, little bit higher, radio Turn it up, that’s enough, so you know it’s got soul. ‘Caravan’, Van Morrison, 1970 The transistor radio came out between the vacuum tube in the fifties and the Walkman in the seventies. I spent many hours on our braided area rug prone upon my…
My Mother’s Quilt – Clare Reddaway
This is my mother’s quilt, but many other women have had a hand in it. It was started by my mother in the 1950s, and she made it for most of my life, in admittedly rather a desultory fashion. I remember her sitting on a freezing, pebbly beach in Suffolk, with the grey North Sea…
Tea for a Pandemic – Terry Kirts
1. My grandmother was a kitchen singer, an apron wearer who trilled the rs and drew out the tra-la-las in all the old songs while she kneaded bread dough or blanched tomatoes. Some days growing up, I spent more time in her windswept farmhouse outside of town than I did in my own home, my…
Roses in the Attic: Ruminations on Moving Back Home – Abby Connolly
It had almost been a year. This night, a year ago, was when I had had to come back. The realisation was a rock in my gut that nauseously listed every now and then to the side, keeping me awake. It was the sensation of motion in the deprivation-tank stillness of night that displaced me…
Mesoamerican Triptych – William Fleeson
Pérado I. Pérado stretched over its one paved road, the village elongated to avoid the mud of the side streets. Haitians called out Blan! – “White man!” – wanting attention or a cash handout or, failing the former, cash alone. I stopped for lunch at a roadside shack. They had rice and chicken and pikliz…
ART // SOUL COLLECTION – Ken Nakajima
‘What colour do you feel most connected to?
The Other Half-Orphan – Thomas Stewart
I was not the first. I knew that when it happened. But you feel like the only one it’s happening to. Because it’s happening to you, and there’s only one you. My father died when I was 23. He was diagnosed with oesophageal cancer in July and died in February the next year. For the…
Porridge 