what it would be like to be a skeleton.
what would happen if each dermal layer melted into the air
& my red stop light flesh went with it
without so much as a snap, crackle or pop?
essays | fiction | poetry | photography | art
what it would be like to be a skeleton.
what would happen if each dermal layer melted into the air
& my red stop light flesh went with it
without so much as a snap, crackle or pop?
love is not you but a driving beat disguised in fast-moving glamour
You make a landscape with tiny things
Turn late-night buns into morning seas
we are wrestling for the same
hooks in time
we are bitter catches
broken holed and punchy
My inkscapes explore the transition between boundaries and intimacy; what it means to yield and to resist; to begin and end.
I fell in love with this city through your eyes
and from the back of taxi cabs.
Sadly, saw one dead cat
Cut down on pavement side
A few in lament stood over
Its lifeless body, white
Cold waters caress my feet like lovers kept apart
by chance. Foam meets flesh. Flesh kisses sand deeply,
forming wet clay against my soles. I press harder—
i am a city mad with fear
with sunshine eating up bodies in the open air
I want to scrape back the clouds
and bring morning to you on a tray,
allow you that extra hour.
In the worst of Anna’s dreams, Eric is always at his best: more alert, more alive, and more charming than she can remember.
I don’t look Chinese, I don’t speak the language besides a few words here and there, and I have never met any of my Chinese family besides my grandmother; put simply, I don’t have much Chinese cultural knowledge at all. And yet, my grandmother gave birth to my mother, and my mother gave birth to me.