Hardy himself describes this fictionalised Wessex as ‘a partly real, partly dream-country’ in his preface to Far from the Madding Crowd. It is this combination of the ‘partly real’ and the ‘partly dream’ which connects Hardy’s supernatural to his Victorian society.
Category: feminism
Reconfiguration and Recovery in Brenda Iijima’s Palimptext, revv. you’ll-ution – Heather Sweeney
Image via Max Pixel Heather Sweeney currently lives in San Diego where she teaches writing and yoga. Some of her other work appears or is forthcoming in Bad Pony, Moonchild, The Hunger, La Vague, Bombay Gin, dusie, and Shantih. Reconfiguration and Recovery in Brenda Iijima’s Palimptext, revv. you’ll-ution Because it is difficult to decipher. Artificial…
Towards a working definition of sexual consent – Amelia Horgan
Image via Emma Persky on flickr. Amelia Horgan is a writer and activist from London currently studying for a PhD in philosophy. Towards a working definition of sexual consent “It’s really great that we’re having conversations about consent now. But let’s not forget that the culture we live in is inherently coercive and non-consensual.” — ‘Fucked’ zine…
Women’s Rights in Kosovo – Iliriana Fteja
Iliriana Fteja is an aspiring writer with a Bachelor’s Degree in Political Science from DePaul University, with a passion for International Law and Human Rights. Currently taking a gap year and working for USA Today – Gannett, you can follow her on twitter to keep up with her opinions and political views. Featured image: ‘Thinking of You’, a 2015 exhibition…
Who’s Not Happy?
Time And Relative Dimension In Sexism
An exploration of the objectification of the female body in performance and its presentation in relation to existing social structures – Katie Paterson
Katie Paterson is a final year Drama and Theatre Arts student at the University of Birmingham. She has frequently pondered the relationship between performance and performer, through essays and practice. Her interests include acting, directing and arguing about Shakespeare, all the while trying to politely smash the patriarchy. An exploration of the objectification of the…
For all women, or for no women: power and feminism’s broken relationship with consumer capitalism – Milly Morris
Milly Morris likes Foucault and feminism. She is currently chasing a PhD in political science at the University of Birmingham. She is a runner, as well as a lover of chickpeas and Game of Thrones. Featured image credit: James McNellis via Wikipedia For all women, or for no women: power and feminism’s broken relationship with consumer…
