I grab the deck rail,
expecting a disturbance
—a pitching and yawing—
but the ferry glides smoothly
over the sea’s fleecy crimp,
like a brush through kid fibre.
essays | fiction | poetry | photography | art
I grab the deck rail,
expecting a disturbance
—a pitching and yawing—
but the ferry glides smoothly
over the sea’s fleecy crimp,
like a brush through kid fibre.
They don’t make
houses pink and white
like coconut ice-cream.
They’re always plain, dull colors.
It’s all so easy
when it should be exhilarating.
The body wants to do the dropout boogie,
a way to just slowly spiral out
of reality and not include my self with its accessories
I see the cat before the cat sees me.
White with black splotches, a longhair.
Leaving the law behind it,
stealing easily as light fails
Everybody called her ‘a character’,
a regular in the library
in her shabby Barbour jacket
and crumpled hat perched
on hair dishevelled as a bird’s nest.
When I bent down to give her a kiss,
she quacked
Then exploded with loud report
into hundreds of pieces.
There is an unspoken rule in a therapy group that you are not going to go out for a beer afterwards. It’s the same way that no-one actually tells you that you shouldn’t have sex with someone you just met on the third day of a meditation retreat, but you still know it isn’t a very good idea.
In boxes of old photographs, you sometimes come across nightclub pictures from the 1950s and 1960s. These images sit at the boundary between the public and private, the posed portrait and the casual snapshot. They were taken by ‘snappers’ who worked in the nightclubs, taking pictures of couples and groups of adults enjoying themselves which…
They do not know that the sun terrifies me.
At time of writing, the infamous bird app, Twitter, is going through a rough patch. For those of you who are enviably unaware, the platform recently gained a new owner, whose grand designs for his acquisition are still being revealed to everyone, apparently even to the man himself. The site currently has an ‘end of…
The pro- and anti-Brutalist building camps can be defined in two words apiece. There are those who believe such buildings are ‘concrete poetry’, and there are those who believe that each one is a ‘concrete monstrosity’. Like the battlefields of WW1, there is nothing living in between. Brutalism’s tenure at the forefront of architecture was…
Thinking about this, they grow wide-eyed and speak so fast that the windows become flecked with child spittle. How can they have made themselves so ridiculous by dreaming?