For the longest time, I walked alone. I walked to think. I walked to see. I walked to be seen. I see them, now. They wear pretty summer dresses, or jeans. In winter, brightly coloured scarves. Their light backpacks sit squarely on both shoulders; inside each, I imagine, is a book, a notepad and a…
Tag: Film
Choice Feminism and Imagination: the representation of women in Disney – Beth O’Brien
The concept of choice feminism operates under the principle that any decision made by a woman has the potential to be a feminist choice, so long as it was made with political consciousness.[1] However, the political and social theorist, Steven Lukes, argues that an individual’s actions are guided by what they can imagine to…
The Red Daisies of Prague Spring – Garrett Zecker
An exploration of feminist indulgence, excess, and gratification via the colour red in Věra Chytilová’s Czech New Wave masterpiece Daisies (1966).
Killer (non)fictions: Is true crime miscommunicating truths in favour of entertaining audiences? – Charley Barnes
. True crime, by its very titling, leads audiences to believe that they are consuming something inherently true in nature. True crime is categorised as a non-fiction form of media, regardless of the means of communication – whether it be written or visual. This alleged truthfulness raises intellectual and moral ambiguities. The rate at which…
Sexism in the Films of Jean-Luc Godard – Dan Morey
Dan Morey is a freelance writer in Pennsylvania. He’s worked as a book critic, nightlife columnist, travel correspondent and outdoor journalist. His writing has appeared in Hobart, decomP, McSweeney’s Quarterly and elsewhere. He was recently nominated for a Pushcart Prize. Find him at danmorey.weebly.com. Sexism in the Films of Jean-Luc Godard A conversation is needed. A freewheeling debate. So I…
POETRY – Ian C Smith
Image: English novelist Evelyn Waugh by Henry Lamb, 1930 Ian C Smith’s work has appeared in Antipodes, Australian Poetry Journal, Critical Survey, Live Encounters, Prole, The Stony Thursday Book, & Two-Thirds North. His seventh book is ‘wonder sadness madness joy’, Ginninderra (Port Adelaide). He writes in the Gippsland Lakesarea of Victoria, and on Flinders Island, Tasmania….
PHOTOGRAPHY – Joseph Birdsey
Joseph Birdsey is a writer and photographer who lives and works in London. He studied English at Goldsmiths, University of London, graduating in 2012. His poems have been published in ‘Myths of the Near Future’ (NAWE Young Writers’ Hub), Porridge Magazine, and by The Poetry Society’s Young Poets Network. He tweets as @flaregun.’ And looking back…
FLASH FICTION – Andy Cashmore
Image: Georgia O’Keeffe, Train at Night in the Desert (1916), © 2018 (The Georgia O’Keeffe Foundation / Artists Rights Society (ARS), New York) Andy Cashmore has had flash fiction published in numerous places, including the National Flash Fiction Day Anthology 2014 and The Harpoon Review. He participated in a writing project called Writing Begets Writing, where he…
How is power imagined in relation to digital media? – Zoe Head
Zoe Head is a recent Drama and English Literature graduate from University of Birmingham. She is interested in future technologies and their ethical, philosophical and social implications and is an adamant fan of dystopian fiction. How is power imagined in relation to digital media? At the beginning of her documentary, Citizenfour, Laura Poitras reads…
London Light Leaks – Joseph Birdsey
Joseph Birdsey is an amateur writer and photographer, living in South East London. He tweets as @flaregun. A directory of this work can be found at http://www.flaregun.work London Light Leaks These photos were accidental. By which I mean the light leaks that give the (otherwise fairly dull) compositions their appeal are accidental, and were the result…
‘Masterly builder of Mousetraps’: Immobility, identity and spatial fear in Hitchcock’s Psycho, Rear Window and North by Northwest – Alex Diggins
Alex Diggins is studying for an MPhil in American Literature. He is interested in presentations of landscape, space and identity in American culture and literature, as well as contemporary English landscape writing. He is currently researching for a thesis on the constructions of the Frontier in 19th Century texts, and the recent film and novel…
Is the celebration of quality television a type of cultural elitism? – Amelia Nicholson
Amelia Nicholson is a film graduate and aspiring screenwriter interested in the rhyme and reason behind storytelling. Is the celebration of quality television a type of cultural elitism? It can, and has been argued that ‘quality television’ represents the upper class equivalent of contemporary excellence in visual entertainment akin to the divide between literary fiction…
Porridge 