An exploration of feminist indulgence, excess, and gratification via the colour red in Věra Chytilová’s Czech New Wave masterpiece Daisies (1966).
Tag: Film
Killer (non)fictions: Is true crime miscommunicating truths in favour of entertaining audiences? – C.S. Barnes
C.S. Barnes is a Worcester-based author and academic. She lectures in Creative Writing and English literature at various universities around the West Midlands, and her research background lies in representations of women in crime fiction. She also writes fiction and her work is published by Bloodhound Books. . True crime, by its very titling, leads…
Sexism in the Films of Jean-Luc Godard – Dan Morey
Dan Morey is a freelance writer in Pennsylvania. He’s worked as a book critic, nightlife columnist, travel correspondent and outdoor journalist. His writing has appeared in Hobart, decomP, McSweeney’s Quarterly and elsewhere. He was recently nominated for a Pushcart Prize. Find him at danmorey.weebly.com. Sexism in the Films of Jean-Luc Godard A conversation is needed. A freewheeling debate. So I…
POETRY – Ian C Smith
Image: English novelist Evelyn Waugh by Henry Lamb, 1930 Ian C Smith’s work has appeared in Antipodes, Australian Poetry Journal, Critical Survey, Live Encounters, Prole, The Stony Thursday Book, & Two-Thirds North. His seventh book is ‘wonder sadness madness joy’, Ginninderra (Port Adelaide). He writes in the Gippsland Lakesarea of Victoria, and on Flinders Island, Tasmania….
PHOTOGRAPHY – Joseph Birdsey
Joseph Birdsey is a writer and photographer who lives and works in London. He studied English at Goldsmiths, University of London, graduating in 2012. His poems have been published in ‘Myths of the Near Future’ (NAWE Young Writers’ Hub), Porridge Magazine, and by The Poetry Society’s Young Poets Network. He tweets as @flaregun.’ And looking back…
FLASH FICTION – Andy Cashmore
Image: Georgia O’Keeffe, Train at Night in the Desert (1916), © 2018 (The Georgia O’Keeffe Foundation / Artists Rights Society (ARS), New York) Andy Cashmore has had flash fiction published in numerous places, including the National Flash Fiction Day Anthology 2014 and The Harpoon Review. He participated in a writing project called Writing Begets Writing, where he…
How is power imagined in relation to digital media? – Zoe Head
Zoe Head is a recent Drama and English Literature graduate from University of Birmingham. She is interested in future technologies and their ethical, philosophical and social implications and is an adamant fan of dystopian fiction. How is power imagined in relation to digital media? At the beginning of her documentary, Citizenfour, Laura Poitras reads…
London Light Leaks – Joseph Birdsey
Joseph Birdsey is an amateur writer and photographer, living in South East London. He tweets as @flaregun. A directory of this work can be found at http://www.flaregun.work London Light Leaks These photos were accidental. By which I mean the light leaks that give the (otherwise fairly dull) compositions their appeal are accidental, and were the result…
REVIEW T2: Trainspotting – Nora Selmani
Nora Selmani is a bilingual babe, feminist killjoy, and Lit graduate based in London. Her principal interest is in gendered diasporic experiences, especially in poetry. She currently co-edits Porridge. REVIEW T2: Trainspotting Stirred into action by a near-death experience, a thoroughly beefed-up Mark Renton (Ewan McGregor) returns to Edinburgh from his failing life in Amsterdam…
‘Masterly builder of Mousetraps’: Immobility, identity and spatial fear in Hitchcock’s Psycho, Rear Window and North by Northwest – Alex Diggins
Alex Diggins is studying for an MPhil in American Literature. He is interested in presentations of landscape, space and identity in American culture and literature, as well as contemporary English landscape writing. He is currently researching for a thesis on the constructions of the Frontier in 19th Century texts, and the recent film and novel…
Is the celebration of quality television a type of cultural elitism? – Amelia Nicholson
Amelia Nicholson is a film graduate and aspiring screenwriter interested in the rhyme and reason behind storytelling. Is the celebration of quality television a type of cultural elitism? It can, and has been argued that ‘quality television’ represents the upper class equivalent of contemporary excellence in visual entertainment akin to the divide between literary fiction…
Shite, skin and skulls: Irvine Welsh’s Trainspotting and the body – Emily Muscat
Emily Muscat is an English with Creative Writing graduate from the University of Birmingham. As well as essays about poop, she also writes poetry and a Birmingham based food blog. Emily now works at UoB on the Graduate Management Training Scheme, where she plans to continue her career in Higher Education. Shite, skin and skulls:…
