Hardy himself describes this fictionalised Wessex as ‘a partly real, partly dream-country’ in his preface to Far from the Madding Crowd. It is this combination of the ‘partly real’ and the ‘partly dream’ which connects Hardy’s supernatural to his Victorian society.
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ESSAY | Don’t Rattle Granny’s Bones – Sharon Kirsch
I am the daughter of a man with a TripTik. You may not know what a TripTik is, or you may understand it to be a triptych, a work of art made up of three panels, often hinged together in a sacred altarpiece.